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Brahms (Wiechert): Violin Sonata in A major Op.100 (violin and piano) HENLE

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Brahms (Wiechert): Violin Sonata in A major Op.100 (violin and piano) HENLE

Brahms (Wiechert): Violin Sonata in A major Op.100 (violin and piano) HENLE

Brahms composed a whole series of chamber music works, including his Second Violin Sonata in A major, during a summer visit to Thun in Switzerland in 1886. This wonderfully lyrical work is one of his most cheerful creations; his biographer Max Kalbeck once cryptically called it a ā€œsonata of love and songā€. The second subject of the first movement quotes the principal motif of Brahms's own song ā€œWie Melodien zieht es mirā€, and the other movements are similarly characterised by a melodious intimacy. The close structural cohesion of the sonata was immediately acknowledged by the music critic Eduard Hanslick, who noted that ā€œThe three movements form a pure triad of uniformly soothing moodsā€.

The musical text of this revised Urtext edition is based on the recently-published volume within the New Brahms Complete Edition, which guarantees the highest degree of scholarly precision. Frank Peter Zimmermann and Martin Helmchen, masters of their respective instruments, provide helpful fingerings.

$16.95
Brahms (Wiechert): Violin Sonata in A major Op.100 (violin and piano) HENLE—
$16.95

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Brahms composed a whole series of chamber music works, including his Second Violin Sonata in A major, during a summer visit to Thun in Switzerland in 1886. This wonderfully lyrical work is one of his most cheerful creations; his biographer Max Kalbeck once cryptically called it a ā€œsonata of love and songā€. The second subject of the first movement quotes the principal motif of Brahms's own song ā€œWie Melodien zieht es mirā€, and the other movements are similarly characterised by a melodious intimacy. The close structural cohesion of the sonata was immediately acknowledged by the music critic Eduard Hanslick, who noted that ā€œThe three movements form a pure triad of uniformly soothing moodsā€.

The musical text of this revised Urtext edition is based on the recently-published volume within the New Brahms Complete Edition, which guarantees the highest degree of scholarly precision. Frank Peter Zimmermann and Martin Helmchen, masters of their respective instruments, provide helpful fingerings.